The William Blake Archive
General Bibliography


Basic Reference Works || Standard and Useful Editions
General Studies: Literary, Historical, and Biographical || General Studies: Art Historical


Table of Contents for General and Specific Bibliographies



Basic Reference Works




Bentley, G. E., Jr. Blake Books: Annotated Catalogues of William Blake's Writings in Illuminated Printing, in Conventional Typography and in Manuscript. Oxford: Clarendon Press, 1978.


Bentley, G. E., Jr. Blake Books Supplement. Oxford: Clarendon Press, 1995.


Bentley, G. E., Jr. Blake Records. Oxford: Clarendon Press, 1969.


Bentley, G. E., Jr. Blake Records Supplement. Oxford: Clarendon Press, 1988.


Bentley, G. E., Jr. "A Supplement to Blake Books." Blake: An Illustrated Quarterly 43 (1977-78): 136-77.


Bindman, David. William Blake: Catalogue of the Collection in the Fitzwilliam Museum, Cambridge. Cambridge: Heffer, 1970.


Bindman, David, assisted by Deirdre Toomey. The Complete Graphic Works of William Blake. [London]: Thames and Hudson, 1978.


"Blake and His Circle: A Checklist of Recent Scholarship." Published annually in Blake: An Illustrated Quarterly.


Butlin, Martin. The Paintings and Drawings of William Blake. 2 vols. New Haven: Yale University Press, 1981.


Damon, S. Foster. A Blake Dictionary: The Ideas and Symbols of William Blake. Rev. ed. with a new foreword and annotated bibliography by Morris Eaves. Hanover, N.H.: University Press of New England, 1988.


Easson, Roger R., and Robert N. Essick. William Blake, Book Illustrator: A Bibliography and Catalogue of the Commercial Engravings. 2 vols. Volume I: Plates Designed and Engraved by Blake. Normal: American Blake Foundation, 1972. Volume II: Plates Designed or Engraved by Blake 1774-1796. Memphis: American Blake Foundation, 1979.


Erdman, David V., with John E. Thiesmeyer, Richard J. Wolfe, et al. A Concordance to the Writings of William Blake. 2 vols. Ithaca: Cornell University Press, 1967.


Erdman, David V. The Illuminated Blake. Garden City: Anchor Doubleday, 1974.


Essick, Robert N. "Blake in the Marketplace." Checklist of Sales and Discoveries Annually in Blake: An Illustrated Quarterly.


Essick, Robert N. The Separate Plates of William Blake: A Catalogue. Princeton: Princeton University Press, 1983.


Essick, Robert N. William Blake's Commercial Book Illustrations: A Catalogue and Study of the Plates Engraved by Blake after Designs by Other Artists. Oxford: Clarendon Press, 1991.


Essick, Robert N. The Works of William Blake in the Huntington Collections: A Complete Catalogue. San Marino: Henry E. Huntington Library and Art Gallery, 1985.


Gilchrist, Alexander. Life of William Blake, Pictor Ignotus. 2 vols. London: Macmillan, 1863. 2nd ed., 1880.


Gilchrist, Alexander. Life of William Blake. Ed. Ruthven Todd. Rev. ed. London: J. M. Dent, 1945.


Johnson, Mary Lynn. "William Blake." The English Romantic Poets: A Review of Research and Criticism. 4th ed. Ed. Frank Jordan. New York: Modern Language Association, 1985. 113-252.


Keynes, Geoffrey. A Bibliography of William Blake. New York: Grolier Club, 1921.


Keynes, Geoffrey. Engravings by William Blake: The Separate Plates. Dublin: Emery Walker, 1956.


Keynes, Geoffrey, and Edwin Wolf, eds. William Blake's Illuminated Books: A Census. New York: Grolier Club, 1953.


Russell, Archibald G. B. The Engravings of William Blake. New York: Houghton Mifflin, 1912.


Viscomi, Joseph. Blake and the Idea of the Book. Princeton: Princeton University Press, 1993.




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Standard and Useful Editions




Bentley, G. E., Jr., ed. William Blake's Writings. 2 vols. Oxford: Clarendon Press, 1977.


Bindman, David, gen. ed. Blake's Illuminated Books. 6 vols. Princeton: The William Blake Trust and Princeton University Press and London: The William Blake Trust and Tate Gallery Publications, 1991-95.


Erdman, David V., ed. With Commentary by Harold Bloom. The Complete Poetry and Prose of William Blake. 1965. Rev. ed. Berkeley: University of California Press, 1988.


Erdman, David V., ed. With the assistance of Donald K. Moore. The Notebook of William Blake: A Photographic and Typographic Facsimile. Oxford: Clarendon Press, 1973.


Johnson, Mary Lynn, and John E. Grant, eds. Blake's Poetry and Designs. Norton Critical Edition. New York: W. W. Norton, 1979.


Keynes, Geoffrey, ed. Blake: Complete Writings with Variant Readings. 1966. Repr. with corrections. Oxford : Oxford University Press, 1979.


Keynes, Geoffrey, ed. The Letters of William Blake. 3rd ed. Oxford: Oxford University Press, 1980.


Ostriker, Alicia, ed. William Blake: The Complete Poems. Harmondsworth, Middlesex: Penguin, 1977.


Sloss, D. J., and J. P. R. Wallis, eds. The Prophetic Writings of William Blake. 2 vols. Oxford: Clarendon Press, 1926.


Stevenson, W. H., ed. Blake: The Complete Poems. 2nd ed. New York: Longman, 1989.




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General Studies: Literary, Historical, and Biographical




Abrahams, Cecil Anthony. William Blake's Fourfold Man. Bonn, W. Ger.: Bouvier, 1978.


Ackroyd, Peter. Blake. London: Sinclair-Stevenson, 1995.


Adams, Hazard. "Synecdoche and Method." Critical Paths: Blake and the Argument of Method. Ed. Dan Miller, Mark Bracher, and Donald Ault. Durham: Duke University Press, 1987. 41-71.


Adlard, John. The Sports of Cruelty: Fairies, Folk-Songs, Charms and Other Country Matters in the Work of William Blake. London: Cecil and Amelia Woolf, 1972.


Ault, Donald D. Visionary Physics: Blake's Response to Newton. Chicago: University of Chicago Press, 1974.


Baine, Rodney M., with the assistance of Mary R. Baine. The Scattered Portions. Athens, Ga.: privately printed, 1986.


Beer, John. "Blake, Coleridge, and Wordsworth: Some Cross-currents and Parallels, 1789-1805." William Blake: Essays in Honour of Sir Geoffrey Keynes. Ed. Morton D. Paley and Michael Phillips. Oxford: Clarendon Press, 1973. 231-59.


Beer, John. Blake's Humanism. Manchester: Manchester University Press, 1968.


Beer, John. Blake's Visionary Universe. Manchester: Manchester University Press, 1969.


Beer, John. "Influence and Independence in Blake." Interpreting Blake. Ed. Michael Phillips. Cambridge: Cambridge University Press, 1978. 196-261.


Behrendt, Stephen C. Reading William Blake. London: Macmillan Press, 1992.


Bentley, G. E., Jr. "Blake's Sinister 'g', from 1789-93 to ?1803." Blake Newsletter 3 (1969): 43-45.


Bentley, G. E., Jr., ed. William Blake: The Critical Heritage. London: Routledge and Kegan Paul, 1975.


Bidlake, Steven, "Blake, the Sacred, and the French Revolution: Eighteenth-Century Ideology and the Problem of Violence." With the assistance of Donald K. Moore. European Romantic Review 3 (1992[-93]): 1-20.


Bloom, Harold. Blake's Apocalypse: A Study in Poetic Argument. Garden City: Doubleday, 1963.


Bloom, Harold. The Visionary Company: A Reading of English Romantic Poetry. Rev. ed. Ithaca: Cornell University Press, 1971.


Bronowski, Jacob. William Blake: A Man without a Mask. London: Secker and Warburg, 1943.


Bronowski, Jacob. William Blake and the Age of Revolution. New York: Harper and Row, 1965.


Cantor, Paul A. Creature and Creator: Myth-Making and English Romanticism. Cambridge: Cambridge University Press, 1984.


Clark, Steve, and David Worrall, eds. Historicizing Blake. Basingstoke: Macmillan Press, and New York: St.Martins' Press, 1994.


Cooper, Andrew M. "Blake and Madness: The World Turned Inside Out." ELH 57 (1990): 585-642.


Cox, Stephen. Love and Logic: The Evolution of Blake's Thought. Ann Arbor: University of Michigan Press, 1992.


Creham, Stewart. Blake in Context. Dublin: Bill and Macmillan, and Atlantic Highlands: Humanities Press, 1984.


Cunningham, Allan. "William Blake." The Lives of the Most Eminent British Painters, Sculptors, and Architects. Vol. 2. London: John Murray, 1830. 140-79.


Damon, S. Foster. William Blake: His Philosophy and Symbols. 1924. Gloucester, Mass.: Peter Smith, 1958.


Damrosch, Leopold, Jr. Symbol and Truth in Blake's Myth. Princeton: Princeton University Press, 1980.


Davies, J. G. The Theology of William Blake. Oxford: Clarendon Press, 1948.


Davis, Michael. William Blake: A New Kind of Man. Berkeley: University of California Press, 1977.


Deck, Raymond H., Jr. "New Light on C. A. Tulk, Blake's Nineteenth-Century Patron." Studies in Romanticism 16 (1977): 217-36.


Deen, Leonard W. Conversing in Paradise: Poetic Genius and Identity-as-Community in Blake's Los. Columbia and London: University of Missouri Press, 1983.


De Luca, Vincent Arthur. "Proper Names in the Structural Design of Blake's Myth-Making." Blake Studies 8 (1978): 5-22.


De Luca, Vincent Arthur. "A Wall of Words: The Sublime As Text." Unnam'd Forms: Blake and Textuality. Ed. Nelson Hilton and Thomas A. Vogler. Berkeley: University of California Press, 1986. 218-41.


De Luca, Vincent Arthur. Words of Eternity: Blake and the Poetics of the Sublime. Princeton: Princeton University Press, 1991.


De Selincourt, Basil. William Blake. London: Duckworth, 1909.


Dorfman, Deborah. Blake in the Nineteenth Century: His Reputation as a Poet from Gilchrist to Yeats. Yale Studies in English 170. New Haven: Yale University Press, 1969.


Eaves, Morris. "Blake and the Artistic Machine: An Essay in Decorum and Technology." PMLA 92 (1977): 903-27.


Eaves, Morris. William Blake's Theory of Art. Princeton: Princeton University Press, 1982.


Erdman, David V. ed. Blake and His Bibles. West Cornwall: Locust Hill Press, 1990.


Erdman, David V. Blake: Prophet Against Empire: A Poet's Interpretation of the History of His Own Times. 1954. 3rd ed. Princeton: Princeton University Press, 1977.


Erdman, David V. "Blake: The Historical Approach." English Institute Essays 1950. Ed. Alan S. Downer. New York: Columbia University Press, 1951. 197-223.


Erdman, David V. "Dating Blake's Script: The 'g' Hypothesis." Blake Newsletter 3 (1969): 8-13.


Erdman, David V., and John E. Grant, eds. Blake's Visionary Forms Dramatic. Princeton: Princeton University Press, 1970.


Essick, Robert N. "Blake, Hayley, and Edward Garrard Marsh: 'An Insect of Parnassus.'" Explorations: The Age of Enlightenment. Special Series. 1 (1987): 58-84.


Essick, Robert N., and Donald Pearce, eds. Blake in His Time. Bloomington: Indiana University Press, 1978.


Essick, Robert N. William Blake and the Language of Adam. Oxford: Clarendon Press, 1989.


Ferber, Michael. The Social Vision of William Blake. Princeton: Princeton University Press, 1985.


Fisher, Peter F. "Blake and the Druids." Journal of English and Germanic Philology 58 (1959): 589-612.


Fisher, Peter F. "Blake's Attack on the Classical Tradition." Philological Quarterly 40 (1961): 1-18.


Fisher, Peter F. The Valley of Vision: Blake as Prophet and Revolutionary. Ed. Northrop Frye. Studies and Texts 9. Toronto: University of Toronto Press, 1961.


Frosch, Thomas. The Awakening of Albion. Ithaca: Cornell University Press, 1974.


Frye, Northrop. Fearful Symmetry: A Study of William Blake. Princeton: Princeton University Press, 1947.


Fuller, David. Blake's Heroic Argument. London: Croom Helm, 1988.


Gallant, Christine. Blake and the Assimilation of Chaos. Princeton: Princeton University Press, 1978.


Gardner, Stanley. Blake. London: Evans Bros., 1968.


Gardner, Stanley. Infinity on the Anvil. Oxford: Blackwell, 1954.


George, Diana Hume. Blake and Freud. Ithaca: Cornell University Press, 1980.


Gilchrist, Alexander. Life of William Blake, Pictor Ignotus. 2 vols. London: Macmillan, 1863. 2nd ed., 1880.


Gilchrist, Alexander. Life of William Blake. Ed. Ruthven Todd. Rev. ed. London: J. M. Dent, 1945.


Gleckner, Robert F. Blake and Spenser. Baltimore: Johns Hopkins University Press, 1985.


Hagstrum, Jean H. "Blake's Blake." Essays in History and Literature Presented by Fellows of the Newberry Library to Stanley Pargellis. Ed. Heinz Bluhm. Chicago: Newberry Library, 1965. 169-78.


Hagstrum, Jean H. Eros and Vision: The Restoration to Romanticism. Evanston: Northwestern University Press, 1989.


Hagstrum, Jean H. The Romantic Body: Love and Sexuality in Keats, Wordsworth, and Blake. Knoxville: University of Tennessee Press, 1985.


Hagstrum, Jean H. "The Wrath of the Lamb: A Study of William Blake's Conversions." From Sensibility to Romanticism: Essays Presented to Frederick A. Pottle. Ed. Frederick W. Hilles and Harold Bloom. New York: Oxford University Press, 1965. 311-30.


Harper, George Mills. The Neoplatonism of William Blake. Chapel Hill: University of North Carolina Press, 1961.


Helms, Randel. "Blake at Felpham: A Study in the Psychology of Vision." Literature and Psychology 22 (1972): 57-66.


Hilton, Nelson. ed. Essential Articles for the Study of William Blake, 1970-1984. Hamden: Anchor Books, 1986.


Hilton, Nelson. "Blake and the Perception of Science." Annals of Science 4 (1988): 54-68.


Hilton, Nelson. "Blakean Zen." Studies in Romanticism 24 (1985): 183-200.


Hilton, Nelson. Literal Imagination: Blake's Vision of Words. Berkeley: University of California Press, 1983.


Hilton, Nelson, and Thomas A. Vogler, eds. Unnam'd Forms: Blake and Textuality. Berkeley: University of California Press, 1986.


Hirst, Desiree. Hidden Riches: Traditional Symbolism from the Renaissance to Blake. London: Eyre and Spottiswoode, 1964.


Hungerford, Edward B. Shores of Darkness. Cleveland: Meridian Books, 1963.


Jackson, Mary. "Blake and Zoroastrianism." Blake: An Illustrated Quarterly 11 (1977): 72-85.


Johnson, Mary Lynn. "Blake, Democritus and the 'Fluxions of the Atom': Some Contexts for Materialist Critiques." Historicizing Blake. Ed. Steve Clark and David Worrall. London: Macmillan, 1994. 105-24.


Johnston, Kenneth R. "Blake's Cities: Romantic Forms of Urban Renewal." Blake's Visionary Forms Dramatic. Ed. David V. Erdman and John E. Grant. Princeton: Princeton University Press, 1970. 413-42.


Keach, William. "Blake, Violence, and Visionary Politics." Representing the French Revolution: Literature, Historiography, and Art. Ed. James A. W. Heffernan. Hanover, N.H.: University Press of New England, 1992. 24-40.


Keynes, Geoffrey. Blake Studies. 1949. 2nd ed. Oxford: Clarendon Press, 1971.


Klonsky, Milton. William Blake: The Seer and His Visions. London: Orbis, 1977.


Kreiter, Carmen S. "Evolution and William Blake." Studies in Romanticism 4 (1965): 110-18.


Larrissy, Edward. "Blake and the Hutchinsonians." Blake: An Illustrated Quarterly 20 (1986): 44-47.


Larrissy, Edward. William Blake. Rereading Literature. Oxford: Blackwell, 1985.


Leuenberger, Peter. William Blake's Esemplastic Power: A Study of William Blake's Myth of Unification. Zurich: Juris, 1978.


Lindsay, Jack. William Blake: His Life and Work. London: Constable, 1978.


Margoliouth, H. M. William Blake. Home University Library 209. London: Oxford University Press, 1951.


McGann, Jerome J. Social Values and Poetic Acts: The Historical Judgment of Literary Work. Cambridge, Mass.: Harvard University Press, 1988.


McGann, Jerome J. Towards a Literature of Knowledge. Oxford: Clarendon Press, 1989.


McGann, Jerome J. "William Blake Illuminates the Truth." Critical Studies 1 (1989): 43-60.


Mee, Jon. Dangerous Enthusiasm: William Blake and the Culture of Radicalism in the 1790s. Oxford: Clarendon Press, 1992.


Mellor, Anne K. Blake's Human Form Divine. Berkeley: University of California Press, 1974.


Miller, Dan, Mark Bracher, and Donald Ault, eds. Critical Paths: Blake and the Argument of Method. Durham: Duke University Press, 1987.


Miner, Paul. "William Blake's Divine Analogy." Criticism 3 (1961): 46-61.


Miner, Paul. "William Blake's London Residences." Bulletin of the New York Public Library 62 (1958): 535-50.


Mitchell, W. J. T. "Visible Language: Blake's Wond'rous Art of Writing." Romanticism and Contemporary Criticism. Ed. Morris Eaves and Michael Fischer. Ithaca: Cornell University Press, 1986. 46-95.


Moskal, Jeanne. Blake, Ethics and Forgiveness. Tuscaloosa and London: University of Alabama Press, 1994.


Murry, John Middleton. William Blake. London: Jonathan Cape, 1933.


Nanavutty, Piloo. "William Blake and Hindu Creation Myths." The Divine Vision: Studies in the Poetry and Art of William Blake. Ed. Vivian de Sola Pinto. London: Gollancz, 1957. 165-82.


Nurmi, Martin K. "Negative Sources in Blake." William Blake: Essays for S. Foster Damon. Ed. Alvin Rosenfeld. Providence: Brown University Press, 1969. 303-18.


Nurmi, Martin K. William Blake. London: Hutchinson, 1975.


Ostriker, Alicia. Vision and Verse in William Blake. Madison: University of Wisconsin Press, 1965.


Otto, Peter. Constructive Vision and Visionary Deconstruction: Los, Eternity, and the Productions of Time in the Later Poetry of William Blake. Oxford: Clarendon Press, 1991.


Paley, Morton D. "Blake and Thomas Burnet's Sacred Theory of the Earth." Blake: An Illustrated Quarterly 25 (1991-92): 75-78.


Paley, Morton D. Energy and the Imagination: A Study of the Development of Blake's Thought. Oxford: Clarendon Press, 1970.


Paley, Morton D., and Michael Phillips, eds. William Blake: Essays in Honour of Sir Geoffrey Keynes. Oxford: Clarendon Press, 1973.


Paley, Morton D. "A New Heaven Is Begun: Blake and Swedenborgianism." Blake: An Illustrated Quarterly 13 (1979): 64-90.


Paley, Morton D. "William Blake, the Prince of the Hebrews, and the Woman Clothed with the Sun." William Blake: Essays in Honour of Sir Geoffrey Keynes. Ed. Morton D. Paley and Michael Phillips. Oxford: Clarendon Press, 1973. 260-93.


Percival, Milton. William Blake's Circle of Destiny. New York: Columbia University Press, 1938.


Peterfreund, Stuart. "Blake, Priestley, and the 'Gnostic Moment.'" Literature and Science: Theory and Practice. Boston: Northeastern University Press, 1990. 139-66.


Peterfreund, Stuart. "The Re-Emergence of Energy in the Discourse of Literature and Science." Annals of Scholarship 4 (1986): 22-53.


Phillips, Michael, ed. Interpreting Blake. Cambridge: Cambridge University Press, 1978.


Pinto, Vivian de Sola, ed. The Divine Vision: Studies in the Poetry and Art of William Blake. London: Gollancz, 1957.


Punter, David. "Blake: Creative and Uncreative Labor." Studies in Romanticism 16 (1977): 535-61.


Raine, Kathleen. Blake and Tradition. 2 vols. Princeton: Princeton University Press, 1968.


Raine, Kathleen. Golgonooza, City of Imagination: Last Studies in William Blake. Hudson: Lindisfarne Press, 1991.


Rajan, Tilottama. The Supplement of Reading. Ithaca: Cornell University Press, 1990.


Reisner, Thomas A. "Blake and Chatterton." Notes and Queries 32 (1985): 328-39.


Richter, Helene. William Blake. Strassburg: Heitz, 1906.


Rose, Edward J. "Blake's Metaphorical States." Blake Studies 4 (1971): 9-31.


Rose, Edward J. "Good-bye to Orc and All That." Blake Studies 4 (1972): 135-51.


Rose, Edward J. "The Meaning of Los." Blake Newsletter 1.3 (1967): 10-11.


Rothenberg, Molly Anne. Rethinking Blake's Textuality. Columbia and London: University of Missouri Press, 1993.


Rosenfeld, Alvin H., ed. William Blake: Essays for S. Foster Damon. Providence: Brown University Press, 1969.


Sandler, Florence. "'Defending the Bible': Blake, Paine, and the Bishop on the Atonement." Blake and His Bibles. Ed. David V. Erdman. West Cornwall: Locust Hill Press, 1990. 41-70.


Schorer, Mark. William Blake: The Politics of Vision. New York: Henry Holt and Company, 1946.


Schuchard, Marsha Keith. "The Secret Masonic History of Blake's Swedenborg Society," with appendix, August Nordenskjöld, "An Address to the True Members of the New Jerusalem Church." Blake: An Illustrated Quarterly 26 (1992): 40-51.


Simpson, David. "Reading Blake and Derrida: Our Caesars Neither Praised Nor Buried." Unnam'd Forms: Blake and Textuality. Ed. Nelson Hilton and Thomas A. Vogler. Berkeley: University of California Press, 1986. 11-25.


Smith, John Thomas. Nollekens and His Times. Vol. 2. London: Henry Colburn, 1828.


Spector, Sheila A. "Blake as an Eighteenth-Century Hebraist." Blake and His Bibles. Ed. David V. Erdman. West Cornwall: Locust Hill Press, 1990. 179-229.


Spector, Sheila A. "Hebraic Etymologies of Proper Names in Blake's Myth." Philological Quarterly 67 (1988): 345-63.


Stevenson, Warren. Divine Analogy: A Study of the Creation Motif in Blake and Coleridge. Salzburg Studies in English Literature: Romantic Reassessment 25. Salzburg: Institut für Englische Sprache und Literatur, Universität Salzburg, 1972.


Storch, Margaret. Sons and Adversaries: Women in WIlliam Blake and D.H. Lawrence. Knoxville: University of Tennessee Press, 1990. London: John Camden Hotten, 1868.


Swinburne, Algernon Charles. William Blake: A Critical Essay. Ed. with an introduction. Hugh J. Luke. Lincoln: University of Nebraska Press, 1970.


Symons, Arthur. William Blake. London: Archibald Constable and Company, 1907.


Tannenbaum, Leslie. Biblical Tradition in Blake's Early Prophecies: The Great Code of Art. Princeton: Princeton University Press, 1982.


Thompson, E. P. Witness Against the Beast: William Blake and the Moral Law. Cambridge: Cambridge University Press, 1993.


Wagenknecht, David. Blake's Night: William Blake and the Idea of Pastoral. Cambridge, MA: Harvard University Press, 1973.


Webster, Brenda. Blake's Prophetic Psychology. London: Macmillan Press, 1983.


Wilson, Mona. The Life of William Blake. [4th] Rev. and emended ed. Ed. Geoffrey Keynes. London: Oxford University Press, 1971.


Wittreich, Joseph Anthony, Jr. Nineteenth Century Accounts of William Blake. Gainesville: Scholars' Facsimiles and Reprints, 1970.


Worrall, David. Radical Culture: Discourse, Resistance and Surveillance, 1790-1820. Hemel Hempstead, Herts.: Harvester Wheatsheaf/Simon and Schuster, 1992.


Wright, Thomas. The Life of William Blake. 2 vols. Olney, Bucks.: Thomas Wright, 1929.


Ziegelman, Lois. "Blake, the Druids, and the Regeneration of Generation." University of Hartford Studies in Literature 15 (1983): 13-32.




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General Studies: Art Historical




Bindman, David. "An Afterword on William Blake: His Art and Times." Blake: An Illustrated Quarterly 16 (1982-83): 224-25.


Bindman, David. Blake as an Artist. Oxford: Phaidon, 1977.


Bindman, David, ed. "Blake's 'Gothicised Imagination' and the History of England." William Blake: Essays in Honour of Sir Geoffrey Keynes. Ed. Morton D. Paley and Michael Phillips. Oxford: Clarendon Press, 1973. 29-49.


Bindman, David. "'My own mind is my own church': Blake, Paine and the French Revolution." William Blake, Exh. cat. Ed. Gert Schiff et al. Tokyo: Nihon Keizai Shimbun, for the National Museum of Western Art, 1990. 40-51. The original English text reprinted in Reflections of Revolution: Images of Romanticism. Ed. Alison Yarrington and Kelvin Everest. New York: Routledge, 1993. 112-33.


Bindman, David. William Blake 1757-1827. Exh. cat. Munich, W. Ger.: Prestel, for the Hamburger Kunsthalle, 1975.


Bindman, David. "William Blake and Popular Religious Imagery." Burlington Magazine 128 (1986): 712-18.


Bindman, David. William Blake: His Art and Times. Exh. cat. n.p. [London]: Thames and Hudson, for the Yale Center for British Art [New Haven, Conn.] and the Art Gallery of Ontario [Toronto, Ont.], 1982.


Binyon, Laurence. The Engraved Designs of William Blake. London: Ernest Benn, 1926.


Blunt, Anthony. The Art of William Blake. New York: Columbia University Press, 1959.


Blunt, Anthony. "Blake's Pictorial Imagination. " Journal of the Warburg and Courtauld Institutes 6 (1943): 190-212.


Bogen, Nancy. "Blake's Debt to Gillray." American Notes and Queries 6 (1967): 35-38.


Butlin, Martin. "Footnotes on the Huntington Blakes." Blake: An Illustrated Quarterly 22 (1988-89): 17-18.


Butlin, Martin, and Ted Gott. William Blake in the Collection of the National Gallery of Victoria. Melbourne: National Gallery of Victoria, 1989.


Chayes, Irene H. "Blake's Ways with Art Sources [I]: Michelangelo's The Last Judgment." Colby Library Quarterly 20 (1984): 60-89.


Chayes, Irene H. "Blake's Ways with Art Sources II: Some Versions of the Antique." Colby Library Quarterly 26 (1990): 28-58.


Chayes, Irene H. "The Presence of Cupid and Psyche." Blake's Visionary Forms Dramatic. Ed. David V. Erdman and John E. Grant. Princeton: Princeton University Press, 1970. 214-43.


Clark, Kenneth. The Romantic Rebellion: Romantic versus Classic Art. New York: Harper & Row, 1973.


Dörrbecker, D. W. Konvention und Innovation: Eigenes und Entlichenes in der Bildform bei William Blake und in der britischen Kunst seiner Zeit. Berlin: Wasmuth, 1992.


Easson, Kay Parkhurst. "Blake and the Art of the Book." Blake in His Time. Ed. Robert N. Essick and Donald Pearce. Bloomington: Indiana University Press, 1978. 35-52.


Eaves, Morris. The Counter-Arts Conspiracy: Art and Industry in the Age of Blake. Ithaca: Cornell University Press, 1992.


Eaves, Morris. William Blake's Theory of Art. Princeton: Princeton University Press, 1982.


Eaves, Morris. "What is the 'History of Publishing'?" [Review of Lister Infernal Methods: A Study of William Blake's Art Techniques.] Publishing History 2 (1977): 57-77.


Essick, Robert N. "Blake and the Traditions of Reproductive Engraving." Blake Studies 5 (1972): 59-103.


Essick, Robert N., and Donald Pearce, eds. Blake in His Time. Bloomington : Indiana University Press, 1978.


Essick, Robert N. "How Blake's Body Means." Unnam'd Forms: Blake and Textuality. Ed. Nelson Hilton and Thomas A. Vogler. Berkeley: University of California Press, 1986. 197-217.


Essick, Robert N., ed. The Visionary Hand: Essays for the Study of William Blake's Art and Aesthetics. Los Angeles: Hennessey and Ingalls, 1973.


Essick, Robert N. "Visual/Verbal Relationships in Book Illustration, in British Art 1740-1820." Essays in Honor of Robert R. Wark. Ed. Guilland Sutherland. San Marino: Henry E. Huntington Library and Art Gallery, 1992. 169-204.


Essick, Robert N. William Blake Printmaker. Princeton: Princeton University Press, 1980.


Essick, Robert N. "William Blake, William Hamilton, and the Materials of Graphic Meaning." ELH 52 (1985): 833-72.


Hagstrum, Jean H. "Romney and Blake: Gifts of Grace and Terror." Blake in His Time. Ed. Robert N. Essick and Donald Pearce. Bloomington: Indiana University Press, 1978. 201-12.


Hagstrum, Jean H. William Blake, Poet and Painter: An Introduction to the Illuminated Verse. Chicago: University of Chicago Press, 1964.


Heppner, Christopher. Reading Blake's Designs. Cambridge: Cambridge University Press, 1995


Keynes, Geoffrey. Blake Studies. 1949. 2nd ed. Oxford: Clarendon Press, 1971.


Klonsky, Milton. William Blake: The Seer and His Visions. London: Orbis, 1977.


LaBelle, Jenijoy. "Blake's Visions and Re-Visions of Michelangelo." Blake in His Time. Ed. Robert N. Essick and Donald Pearce. Bloomington: Indiana University Press, 1978. 13-22.


Mellor, Anne K. Blake's Human Form Divine. Berkeley: University of California Press, 1974.


Mitchell, W. J. T. Blake's Composite Art. Princeton: Princeton University Press, 1978.


Mitchell, W. J. T. "Metamorphoses of the Vortex: Hogarth, Turner, and Blake." Articulate Images: The Sister Arts from Hogarth to Tennyson. Ed. Richard Wendorf. Minneapolis: University of Minnesota Press, 1983. 125-68.


Mongan, Elizabeth, and Edwin Wolf, 2nd. William Blake 1757-1827. Exh. cat. Philadelphia: Philadelphia Museum of Art, 1937.


Nanavutty, Piloo. "Blake and Emblem Literature." Journal of the Warburg and Courtauld Institutes 15 (1952): 258-61.


Paley, Morton D., and Michael Phillips, eds. William Blake: Essays in Honour of Sir Geoffrey Keynes. Oxford: Clarendon Press, 1973.


Paley, Morton D. "The Fourth Face of Man: Blake and Architecture." Articulate Images: The Sister Arts from Hogarth to Tennyson. Ed. Richard Wendorf. Minneapolis: University of Minnesota Press, 1983. 184-215.


Paley, Morton D. "The Truchsessian Gallery Revisited." Studies in Romanticism 16 (1977): 165-76.


Paley, Morton D. William Blake. Oxford: Phaidon Press, 1978.


Paley, Morton D. "'Wonderful Originals'-- Blake and Ancient Sculpture." Blake in His Time. Ed. Robert N. Essick and Donald Pearce. Bloomington: Indiana University Press, 1978. 170-97.


Pinto, Vivian de Sola, ed. The Divine Vision: Studies in the Poetry and Art of William Blake. London: Gollancz, 1957.


Richey, William. Blake's Altering Aesthetic. Columbia and London: University of Missouri Press, 1996.


Rosenblum, Robert. Transformations in Late Eighteenth Century Art. Princeton: Princeton University Press, 1974.


Rosenfeld, Alvin H., ed. William Blake: Essays for S. Foster Damon. Providence: Brown University Press, 1969.


Schiff, Gert, et al. William Blake. Exh. cat. Tokyo: Nihon Keizai Shimbun, for the National Museum of Western Art, 1990.


Todd, Ruthven. "'Poisonous Blues' and Other Pigments." Blake: An Illustrated Quarterly 14 (1980): 31-34.


Todd, Ruthven. Tracks in the Snow. London: Gray Walls Press, 1946.


Todd, Ruthven. William Blake the Artist. London: Studio Vista, 1971.


Viscomi, Joseph. The Art of William Blake's Illuminated Prints. Manchester: Manchester Etching Workshop, 1983.


Viscomi, Joseph. Blake and the Idea of the Book. Princeton: Princeton University Press, 1993.


Viscomi, Joseph. "The Myth of Commissioned Illuminated Books: George Romney, Isaac D'Israeli, and 'One Hundred and Sixty designs . . . of Blake's.'" Blake: An Illustrated Quarterly 23 (1989-90): 48-74.


Viscomi, Joseph. "Recreating Blake's Illuminated Prints: The Facsimiles of the Manchester Etching Workshop." Blake: An Illustrated Quarterly 19 (1985): 4-23.


Warner, Janet. Blake and the Language of Art. Kingston and Montreal: McGill-Queen's University Press, 1984.


Warner, Janet. "Blake's Use of Gesture." Blake's Visionary Forms Dramatic. Ed. David V. Erdman and John E. Grant. Princeton: Princeton University Press, 1970. 174-95.


Wilton, Andrew. "Blake and the Antique." The British Museum Yearbook 1: The Classical Tradition. London: British Museum Publications, 1976. 187-218.


Wittreich, Joseph Anthony, Jr. "Painted Prophecies: The Tradition of Blake's Illuminated Books." Blake in His Time. Ed. Robert N. Essick and Donald Pearce. Bloomington: Indiana University Press, 1978. 101-15.




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Table of Contents for General and Specific Bibliographies