7 April 2005
The William Blake Archive is pleased to announce the publication of the electronic edition of Blake's 116 water-color illustrations to Thomas Gray's poems. These are presented in our Preview mode, one that provides all the features of the Archive except Image Search and Inote (our image annotation program).
The designs for Gray's poems are among Blake's major achievements as an illustrator. They were commissioned in 1797 by Blake's friend, the sculptor John Flaxman, as a gift for his wife Ann, to whom Blake addressed the poem that ends the series. The commission may have been inspired by the Flaxmans' seeing Blake's water-color designs to Edward Young's Night Thoughts, begun in 1795. The Gray illustrations follow the same basic format. Blake cut windows in large sheets of paper and mounted in these windows the texts of Gray's poems from a 1790 letterpress edition. Blake then drew and colored his designs surrounding the printed texts. Although listed by William Michael Rossetti in his catalogue of Blake's drawings and paintings, published in the 1863 and 1880 editions of Alexander Gilchrist's Life of William Blake, the Gray illustrations were virtually unknown until their rediscovery by Herbert Grierson in 1919. They are now among the Blake treasures at the Yale Center for British Art in New Haven, Connecticut.
Blake's illustrations respond to Gray's poems in a variety of ways, but always with respect for the specifics in the text. Many motifs are visualizations-and hence literalizations-of Gray's metaphoric images. The Gray illustrations share iconographic and stylistic similarities with the Night Thoughts designs; both series are indebted to the pictorial imagery Blake developed in his illuminated books of the early- and mid-1790s. For the more comic passages in Gray's poems, Blake deployed a broad, almost caricature-like style. Many of the designs emphasize the imagination at work in the world through inspired acts of reading, writing, and performing music.
As always, the William Blake Archive is a free site, imposing no access restrictions and charging no subscription fees. The site is made possible through the continuing support of the Library of Congress, the Institute for Advanced Technology in the Humanities at the University of Virginia, the University of North Carolina at Chapel Hill, and by the cooperation of the international array of libraries and museums that have generously given us permission to reproduce works from their collections in the Archive.
Morris Eaves, Robert N. Essick, and Joseph Viscomi, editors
Andrea Laue, technical editor
The William Blake Archive
