Blake Archive Index Bibliography

Water Color Illustrations to the Bible

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The Bible had an enormous influence on Blake’s work as both artist and poet. Among his many and complex responses to that text are water color drawings. These range throughout most of Blake’s career, beginning with early works such as Abraham and Isaac, datable to c. 1780, and continuing to Moses Placed in the Ark of the Bulrushes of c. 1824. The main group of biblical water colors is a sequence of about 80 works of similar size painted for Thomas Butts between c. 1800 and c. 1806. The Old Testament subjects emphasize interactions, both revelatory and punishing, between the human and the divine. New Testament subjects naturally center on the life of Christ. Most of the works based on books following the four Gospels, such as The Conversion of Saul, picture moments of revelation. The water colors painted for Butts include some of Blake’s greatest works in that medium, including The Great Red Dragon and the Woman Clothed with the Sun and at least seven other examples of the apocalyptic sublime based on the Book of Revelation.

The water colors are arranged here according to the order in Martin Butlin's The Paintings and Drawings of William Blake, a catalogue raisonné and standard reference work on Blake. At some point after 1846, many of the water colors painted for Butts were mounted on backing mats inscribed in handsome script with appropriate passages from the Bible. Many of these mats have been removed and discarded, but a few of those still extant, such as the mat for Joseph and Potiphar’s Wife, have been included under "Related Works in the Archive" on the pull-down menu.

Related Works

Related works currently available in the William Blake Archive appear as links below. Works not currently available appear as plain text.

  • The Witch of Endor: Saul and the Ghost of Samuel (or Hamlet and the Ghost of His Father)
    Pencil sketch, c. 1775-80. Butlin 74 recto.
    Art Gallery, Stanford University
    Stanford, California
  • The Witch of Endor: Saul and the Ghost of Samuel (or Hamlet and the Ghost of His Father)
    Water color, c. 1775-80. Butlin 75.
    British Museum
    London
  • Pestilence, Probably the Great Plague of London
    Water color, c. 1779-80. Butlin 184.
    Robert Tear
    London
  • Pestilence
    Water color, c. 1780-84. Butlin 185.
    Collection of Robert N. Essick
  • Goliath Cursing David
    Pen drawing, c. 1780-85. Butlin 119A recto.
    Museum of Fine Arts
    Boston, Massachusetts
  • The King of Babylon in Hell
    Monochrome wash drawing, c. 1780-85. Butlin 45.
    Royal Collection, Windsor Castle
    Windsor, England
  • The Witch of Endor Raising the Spirit of Samuel
    Water color, 1783. Butlin 144.
    New York Public Library
    New York
  • Pestilence
    Pencil sketch, c. 1794. Not in Butlin.
    Henry E. Huntington Library and Art Gallery
    San Marino, California
  • Lucifer and the Pope in Hell
    Etching/engraving, c. 1794. Essick X.
    First state: Collection of Robert N. Essick
    Second state: British Museum, London
    Color printed, Butlin 287: Henry E. Huntington Library and Art Gallery, San Marino, California
  • Samson Pulling Down the Temple
    Pencil sketch, c. 1795 (?). Not in Butlin.
    Collection of Robert N. Essick
  • Illustrations to Young’s "Night Thoughts": Night IX, Page 56
    Water color, c. 1795-97. Butlin 330.474.
    British Museum
    London
  • Pestilence
    Water color, c. 1795-1800. Butlin 192.
    City Art Gallery
    Bristol
  • Pharaoh’s Daughter and Moses
    Tempera painting (?), c. 1799-1800. Butlin 386.
    Untraced since 1853.
  • Samson Pulling Down the Temple
    Tempera painting, c. 1799-1800. Butlin 388.
    Untraced since 1863.
  • Samson Subdued
    Water color, c. 1800-03. Butlin 455.
    Philadelphia Museum of Art
    Philadelphia, Pennsylvania
  • Jephthah Met by His Daughter
    Water color, c. 1803. Butlin 450.
    Philadelphia Museum of Art
    Philadelphia, Pennsylvania
  • The Creation of Eve
    Pencil sketch, c. 1803-05. Butlin 435 verso.
    Metropolitan Museum of Art
    New York
  • Pestilence
    Water color, c. 1805. Butlin 193.
    Museum of Fine Arts
    Boston, Massachusetts
  • Studies for "Pestilence: The Death of the First-Born"
    Pencil, c. 1805. Butlin 443 recto and verso.
    Untraced since c. 1975.
  • Sketch for "Pestilence: The Death of the First-Born"
    Pencil, c. 1805. Butlin 444 recto.
    British Museum
    London
  • Hamlet and His Father’s Ghost
    Water color, 1806. Butlin 547.5.
    British Museum
    London
  • The Creation of Eve
    Water color, 1807. Butlin 529.8.
    Henry E. Huntington Library and Art Gallery
    San Marino, California
  • Sketch for "The Creation of Eve"
    Pencil sketch, c. 1807. Butlin 535 verso.
    British Museum
    London
  • The Creation of Eve
    Water color, 1808. Butlin 536.8.
    Museum of Fine Arts
    Boston, Massachusetts
  • Moses Placed in the Ark of the Bulrushes
    Water color, c. 1824. Butlin 774.
    Henry E. Huntington Library and Art Gallery
    San Marino, California
  • Remember Me!, plate 1
    Engraved book illustration, 1824. Bentley 490.
  • The Creation of Eve
    Pencil sketch, c. 1826-27. Butlin 828.7.
    Henry E. Huntington Library and Art Gallery
    San Marino, California