Index Bibliography

Blake's Illustrations of Dante

Currently Available:

Blake's Illustrations of Dante
, 1838, c. 1892 (Collection of Robert N. Essick): electronic edition [preview]

Dates are the probable dates of printing.

Blake began to compose 102 water color illustrations to Dante's Divine Comedy in the fall of 1824 for his patron John Linnell. From these Blake selected 7 designs to engrave. The choice of subjects, all from the "Inferno," may have been recommended, or at least approved, by Linnell. There may have been plans to engrave more designs, but even these 7 plates were left incomplete at Blake's death in 1827. The copperplates became Linnell's possession, but it was not until 1838 that he had sets printed for sale.

Like Blake's Job engravings, the Dante plates are pure line engravings without preliminary etching. Although it is difficult to determine Blake's stylistic intentions from unfinished plates, the Dante engravings suggest the influence of Renaissance Italian prints, including the dramatic "broad manner" work of Andrea Mantegna, the artist called "the Dante of his profession" by Blake's friend George Cumberland. See also the introductory comments on the Dante water colors in the Archive under Non-Illuminated Materials/ Drawings and Paintings/ Water Color Drawings.

Related Works

Related works currently available in the William Blake Archive appear as links below. Works not currently available appear as plain text.

  • Annotations to Dante's Inferno, translated by Henry Boyd, 1785
    Ink and pencil annotations, c. 1800. Bentley 721, Erdman pages 633-35.
    Cambridge University Library
    Cambridge, England
  • The Circle of the Lustful, possibly related to object 2.
    Water color, c. 1824-27? Butlin 817 recto.
    Untraced since 1928.
  • Paolo and Francesca(?), possibly related to object 2.
    Pencil sketch, c. 1824-27. Butlin 816.
    Maurice Sendak, Connecticut
  • Slight Sketch, Perhaps for "The Whirlwind of Lovers"
    Pencil sketch, c. 1824-27. Butlin 812.56 verso.
    National Gallery of Victoria
    Melbourne
  • Sketch for "The Serpent Attacking Agnolo Brunelleschi"
    Pencil sketch, c. 1824-27. Butlin 821.
    Fondazione Horne
    Florence, Italy
  • Illustrations to Dante's "Divine Comedy"
    102 pencil and water color drawings, c. 1824-27. Butlin 812.
    Ashmolean Museum
    Oxford
    Birmingham Museums & Art Gallery
    Birmingham
    British Museum
    London
    Fogg Art Museum
    Harvard University, Cambridge, Massachusetts
    National Gallery of Victoria
    Melbourne
    Royal Institution of Cornwall
    Truro, Cornwall
    Tate Collection
    London
  • Sketch for the Engraving of "The Six-Footed Serpent Attacking Agnolo Brunelleschi"
    Pencil sketch, c. 1826-27. Butlin 822.
    Henry E. Huntington Library and Art Gallery
    San Marino, California
  • Blake's Illustrations of Dante
    The seven original copperplates, 1826-27. Bentley 448.
    National Gallery of Art
    Washington, D. C.