Songs of Innocence and of Experience
Currently Available:
Dates are the probable dates of printing.
A complete copy of Songs of Innocence and of
Experience contains fifty-four plates etched in relief with
touches of white-line work in a few designs. Plate a (a tailpiece
probably etched in the late 1780s) appears only in copies B-D of
the combined Songs; plate b ("A Divine Image") appears
only in copy BB of the combined Songs among those
printed by Blake. Plates 34-36, 53, and 54 were first published in
Innocence but moved to Experience in
1794, 1795, and 1818 respectively. The printing history of the combined Songs is
complicated because Blake printed it while also continuing to print
Songs of Innocence and Songs of
Experience separately, and because some copies of the
combined Songs were assembled by collectors or dealers
from copies of Innocence and Experience
separately issued, while other copies now consist of only one
section. The separately issued copies of Innocence are
listed under Songs of Innocence, while the few
separate and separately issued copies of Experience
are listed below. Experience was first printed while
it was still a work in progress; seventeen of the plates were color
printed in c. 1794 and now make up Songs copies F, G,
H, and T1-2. The first copies of the combined Songs
were B, C, and D, formed in 1794 from copies of
Innocence printed in 1789 and copies of the complete
Experience printed in 1794. Combined
Songs copy E also consists mostly of impressions from
these print runs, but appears to have been assembled or at least
recolored c. 1806 for Blake's patron Thomas Butts. The first copies of the combined Songs in which the
two sections were printed together were A and R in 1795. That same
year, Blake printed eight sets of Innocence and nine
sets of Experience impressions to form
Innocence copy N, the "Innocence" section of combined
Songs copy J, the "Experience" sections of combined
Songs copies J, O, and S, and both sections of
combined Songs copies I, L, M, and BB. "Innocence" of
combined Songs copy O was once joined with
"Experience" of combined Songs copy K, and untraced
Innocence copy W was probably once combined with
"Experience" of combined Songs copy N. In c. 1802,
Blake printed three copies of Innocence (O, R and Y
printed as a single copy and later divided into two incomplete
copies, and the "Innocence" section of combined Songs
copy P), along with two copies of Experience (the
"Experience" sections of combined Songs copies P and
Q). In c. 1804, he printed another three copies of
Innocence (P, Q, and the "Innocence" section of
combined Songs copy Q); in c. 1811 he printed two more
copies (Innocence copy S and the "Innocence" section
of combined Songs copy S). Between 1818 and 1827, Innocence and
Experience were always printed as part of the combined
Songs. In c. 1818, Blake printed combined
Songs copies T2 and U; in c. 1821, copy V; in 1825,
copies W and Y; in 1826, copies Z and AA; and in 1827, copy X. In
all but copy V, the plate order is the same, though copy T2 has had
plate 49 repositioned and a few Innocence poems
replaced with earlier impressions. The plate order in these last
copies and in "Innocence" of combined Songs copy S (c.
1811) follows, with minor variations, the plate order of combined
Songs copy R, which was Blake's personal copy until he
sold it to John Linnell in 1819. The coloring of combined
Songs copies K and M is posthumous.
Related works currently available in the William Blake Archive appear as links below. Works not currently available appear as plain text.
British Museum, Dept. of Prints and Drawings
London
Rosenwald Collection, Library of Congress
Washington D.C.
Private Collection
Henry E. Huntington Library and Art Gallery
San Marino, California
Yale Center for British Art
Yale University, New Haven, Connecticut
British Museum, Dept. of Prints and Drawings
London
Fitzwilliam Museum
Cambridge, England
Maurice Sendak
British Museum, Dept. of Prints and Drawings
London
Widener Library
Harvard University, Cambridge, Massachusetts
Emma Rothschild
Morgan Library and Museum
New York City
Yale Center for British Art
Yale University, New Haven, Connecticut
Beinecke Library
Yale University, New Haven, Connecticut
Henry E. Huntington Library and Art Gallery
San Marino, California
Houghton Library
Harvard University, Cambridge, Massachusetts
Fitzwilliam Museum
Cambridge, England
Private Collection
Wormsley Library
Wormsley, Buckinghamshire, England
Mrs. Seth Dennis
Cincinnati Museum of Art
Cincinnati, Ohio
National Gallery of Canada
Ottawa
Princeton University Library
Princeton, New Jersey
Morgan Library and Museum
New York City
King's College
Cambridge University, Cambridge, England
Metropolitan Museum of Art
New York City
Rosenwald Collection, Library of Congress
Washington D.C.
Fitzwilliam Museum
Cambridge, England
Private Collection
British Museum, Dept. of Prints and Drawings
London
Houghton Library
Harvard University, Cambridge, Massachusetts
Mrs. William Drysdale
Beinecke Library
Yale University, New Haven, Connecticut
Morgan Library and Museum
New York City
Untraced
Princeton University Library
Princeton, New Jersey
Collection of Robert N. Essick
Altadena, California
Lord Cunliffe
Princeton University Library
Princeton, New Jersey
Fitzwilliam Museum
Cambridge, England
Fitzwilliam Museum
Cambridge, England
Fitzwilliam Museum
Cambridge, England
Morgan Library and Museum
New York City
Dispersed
Arthur E. Vershbow
Pencil sketches, c. 1790-94. Butlin 201.15, 21, 43, 54, 55, 57, 65, 74, 89.
British Library
London
Water color (?), date unknown. Butlin 215.
Untraced
Water color (?), date unknown. Butlin 216.
Untraced