The Book of Thel
Currently Available:
Dates are the probable dates of printing.
The Book of Thel is Blake's first illuminated book
written in lines of fourteen syllables, a measure used in most of
his subsequent books. Thel, a virgin shepherdess burdened by her
sense of mortality, seeks meaning for her life by talking with
several creatures—a lily, cloud, worm, and clod of clay. These
speaking symbols of life's transience are satisfied with their lot
because all believe themselves to be part of natural cycles related
through self-sacrifice to a higher purpose. On the final plate,
Thel comes to her grave and hears her own unanswered questions
redolent with fears of both death and sexuality. This voice, and
Thel's flight from it, indicate either her failure to accept the
harsh facts of life or the failure of her interlocutors' philosophy
to satisfy the human desire for transcendental truths.
Blake etched The Book of Thel in relief, with a few
touches of white-line work, on eight plates in 1789, the date on
the title page, and 1790. Plate 1, "Thel's Motto," and plate 8, the
final plate, which may be a substitute for an earlier version of
the poem (although there is no evidence that any such early version
was etched), appear to have been etched later than plates 2-7.
Their lettering style is present in The Marriage of Heaven
and Hell but not in Thel's other plates. Both
plates are missing from the first copy of Thel
printed, proof copy a (black ink, plates 2-5, 7 only, with plate 6
and a duplicate plate 2 in the San Francisco Public Library). This
first printing of the finished work can be divided into five issues
according to ink color: copies H-L (green), B, E, M (raw sienna),
A, D, R (orange-yellow ochre), C (raw umber), and G (blue).
Untraced copies P and Q may also be from this printing; but, given
gaps in the relevant provenances, they might also be the same as
copies G and H. Large-paper copy F, with rudimentary color
printing, was produced in 1795; copies N and O can be dated to c.
1818. A pencil drawing in the British Museum shows alternative
versions of plates 6 and 7.
Related works currently available in the William Blake Archive appear as links below. Works not currently available appear as plain text.