The [First] Book of Urizen
Currently Available:
Dates are the probable dates of printing.
With its double columns of text and divisions into chapters and
verses, the format of The [First] Book of Urizen
indicates its close relationship to the Bible. The poem is in many
respects a heterodox rewriting of Genesis, one in which the
creation of the universe is seen as a fall into materiality and its
abstract laws. The process is initiated by Urizen when he separates
himself from his fellow "Eternals" and thereby creates difference,
absence, and self-consciousness. As Urizen falls into this void of
his own making, Los reacts by building a material and temporal base
below which Urizen cannot descend. Through this narrative of
ultimate origins, Blake explores fundamental epistemological and
ontological issues. Blake etched in shallow relief the twenty-eight plates of
The [First] Book of Urizen in 1794, although only
copies A and B contain them all. In the same year, he printed proof
copies H and I (only 3 and 2 plates respectively) and copies A,
C-F, and J. Copy B was printed in 1795 and copy G in 1818. Bentley
plate 4 appears only in copies A-C (an impression was pulled for
copy G but not included). The full-page designs are differently
positioned in each copy; copies A, B, E, and F also have variant
orders of text plates.
Related works currently available in the William Blake Archive appear as links below. Works not currently available appear as plain text.
Yale Center for British Art
Yale University, New Haven, Connecticut
Yale Center for British Art
Yale University, New Haven, Connecticut
British Museum, Dept. of Prints and Drawings
London
Private Collection
Houghton Library
Harvard University, Cambridge, Massachusetts
Albertina Museum
Vienna, Austria
Morgan Library and Museum
New York City
Rosenwald Collection, Library of Congress
Washington D.C.
Pencil sketch, c. 1794 (?). Butlin 230.
Rosenwald Collection, National Gallery of Art
Washington, DC
Pencil sketch, c. 1794. Butlin 231.
Fitzwilliam Museum
Cambridge, England
Water color, c. 1795-97. Butlin 330.268.
British Museum
London