Visions of the Daughters of Albion

Oothoon, the central figure in the poem, plucks the "flower" of female sexuality but is soon raped by Bromion. Her lover, Theotormon, responds with silence or useless abstractions. This slender plot is but a thread on which Blake hangs Oothoon's questionings of conventional morality. She insists on her inner purity and, in a long concluding lament to the "Daughters of Albion," on the varieties of energetic self-expression that cannot be delimited by materialist philosophies or legalistic codes. The characters and their words represent Blake's critique of colonialism, slavery, sexual repression, and attitudes towards women in his day.

The eleven plates of Visions were etched in relief, with slight touches of white-line work, and first printed in 1793. This printing produced twelve copies: proof copy a (black ink, plates 1-2 and the designs only of plates 3, 7, 9-10), B and C (raw sienna ink), A, D, and E (yellow ochre ink), and H-M (green ink). There were only three later printings: 1794 (color-printed copies F and R), 1795 (large-paper copy G and possibly untraced copy Q), and 1818 (untraced copy N and copies O-P).