Visions of the Daughters of Albion
Currently Available:
Dates are the probable dates of printing.
Oothoon, the central figure in the poem, plucks the "flower" of
female sexuality but is soon raped by Bromion. Her lover,
Theotormon, responds with silence or useless abstractions. This
slender plot is but a thread on which Blake hangs Oothoon's
questionings of conventional morality. She insists on her inner
purity and, in a long concluding lament to the "Daughters of
Albion," on the varieties of energetic self-expression that cannot
be delimited by materialist philosophies or legalistic codes. The
characters and their words represent Blake's critique of
colonialism, slavery, sexual repression, and attitudes towards
women in his day. The eleven plates of Visions were etched in relief,
with slight touches of white-line work, and first printed in 1793.
This printing produced twelve copies: proof copy a (black ink,
plates 1-2 and the designs only of plates 3, 7, 9-10), B and C (raw
sienna ink), A, D, and E (yellow ochre ink), and H-M (green ink).
There were only three later printings: 1794 (color-printed copies F
and R), 1795 (large-paper copy G and possibly untraced copy Q), and
1818 (copies N-P).
Related works currently available in the William Blake Archive appear as links below. Works not currently available appear as plain text.
Rosenwald Collection, Library of Congress
Washington D.C.
British Museum, Dept. of Prints and Drawings
London
British Museum, Dept. of Prints and Drawings
London
Glasgow University Library
Glasgow, Scotland
Houghton Library
Harvard University, Cambridge, Massachusetts
Huntington Library and Art Gallery
San Marino, California
Rosenbach Foundation
Philadelphia, Pennsylvania
Yale Center for British Art
Yale University, New Haven, Connecticut
Rosenwald Collection, Library of Congress
Washington D.C.
New York Public Library
New York City
Princeton University Library
Princeton, New Jersey
Houghton Library
Harvard University, Cambridge, Massachusetts
Morgan Library and Museum
New York City
Bayerische Staatsbibliothek
Munich, Germany
Houghton Library
Harvard University, Cambridge, Massachusetts
Untraced
Private Collection
British Museum, Dept. of Prints and Drawings
London
Fitzwilliam Museum
Cambridge, England
Pencil sketches, c. 1790-93. Butlin 201.28-30, 32, 50, 51, 72, 74, 78, 81, 92.
British Library
London
Pencil sketch, c. 1793. Butlin 209.
Osgood Collection, Houghton Library
Harvard University, Cambridge, Massachusetts